Abstract This essay reports the findings from a study of undergraduate students’ audio reading habits. The study involved a series of surveys conducted between fall 2020 and fall 2023 and included over one hundred students from seven different British literature classes. The survey results are both quantitative and qualitative and provide a snapshot of how contemporary college students enrolled in literature classes view and engage with audiobooks. Overall, the study found that a majority of participants reported that they listened to audiobooks (77 percent) and more than half admitted to having used audiobooks to complete assigned reading in previous classes (67 percent). Based on these findings, this essay argues that while audiobooks may not be the ideal medium for literary study, they have become an essential supplement to this practice under the conditions of the contemporary college classroom. Ultimately, this essay makes the case for putting aside disciplinary skepticism regarding the legitimacy of audiobooks as a component of literary education and instead encourages educators to learn more about how their students are using audiobooks so that they can accommodate these texts in their classrooms and provide instruction on how best to employ this medium.

Abstract This article argues that care — especially care grounded in Black feminist traditions — is not an affective supplement to teaching but rather the radical foundation of liberatory pedagogy. Amid rising attacks on critical education and the austerity logics of the neoliberal university, the authors theorize care as infrastructure, method, and resistance. Drawing from the work of bell hooks, Audre Lorde, Patricia Hill Collins, Mia Mingus, and Leah Lakshmi Piepzna-Samarasinha, they offer a framework for care-centered teaching that foregrounds mutuality, trust, and collective accountability. Through vignettes, student reflections, and practices such as trauma-informed design, mutual aid, and collaborative assessment, the article demonstrates how care fosters relational transformation and deep intellectual engagement. It also interrogates the structural devaluation of care labor, particularly for women and faculty of color, and challenges dominant educational paradigms that equate rigor with detachment. As one student reflected, “You believed me when I said I needed more time, without asking for proof. That made me want to do the work even more.” Drawing from their institutional experiences, the authors position teaching as a form of organizing — an insurgent, relational practice that refuses extractive academic norms while building collective conditions for educational and institutional transformation.

Abstract When teaching in neighboring fields such as creative writing and writing studies, instructors can draw on the explicit recommendations of professional organizations and an existing scholarly consensus about threshold concepts. However, the struggle to define what exactly it is we teach when we are teaching literary studies continues. Rather than advocating for transferable skills in deference to the neoliberal marketplace, we should spend more time explaining to ourselves and to our students the particular practices, habits, and concerns that distinguish literary studies as a valuable scholarly discipline. Metacognition is essential for students to learn, and this can be facilitated more effectively by instructors able to articulate how the methods and goals of a course are informed by disciplinary norms, especially the ubiquitous and yet continually contested practice of close reading. This article reviews both recent scholarship and pedagogical resources on close reading to identify the intertwined challenges of defining and teaching this disciplinary method, making recommendations for more effective classroom practices.

Abstract This article describes a project taught in a British literature survey course, in which students navigate digital archives like Eighteenth-Century Collections Online (ECCO) to find a “companion piece” to a literary text. The essay shares the goals of the research project, the assignment design, and specific successes and challenges students encounter. The piece additionally offers reflections about teaching the conventional British literature survey course for undergraduate English majors, particularly considering the ways in which digital archives and historicist methodologies can expand students’ understanding of literary canons and the interrelationship between literature and history.

Abstract : Students in first-year composition are often asked to read multiple texts quickly and independently during the process of researching and writing research essays, yet reading is rarely an explicit pedagogical focus. Researchers in metacognition and readerly expertise agree that expert reading is purposeful, defined in part by agility in engaging with a text, its context and its embeddedness within larger conversations and with one's own intentions beyond or within such conversations. Drawing from these concepts of readerly purpose and source use, we propose a theory of mining reading — a way of reading for conversation. Mining reading is when readers mine a text to understand the text's message within a broader topic or disciplinary conversation and make a text mine by identifying its use for the reader's rhetorical purpose. We describe ways to scaffold mining reading from our writing classes and share findings from student reflections, gathered with IRB approval, about the affordances and constraints of this approach. We ultimately situate mining reading as one way to help students understand reading as an active meaning making process and develop a flexible sense of purpose and agency in their research essays.

Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

Abstract What is a pedagogy of the Anthropocene? Put another way, what would it look like to teach in a way that disrupts the logic of fossil fuel extraction? Building on critiques of Enlightenment thought that identify the causalities between dualistic models such as mind/body or nature/culture and systems of enslavement and extraction, the author argues we must orient ourselves against the toxic logic that has led to our current planetary crisis, and that a class on “climate fiction” can estrange students from the ubiquity of an epistemology that alienates us from the natural world and each other. Stories about climate change, whether speculative or realistic, can pry students loose from more familiar narratives that have immiserated us as a species and a planet. The author encourages a reorientation of how we teach that reframes the classroom as a space for students to imagine each other as allies rather than as competition, displacing the fetishization of “rigor” that aligns us to false idols of meritocracy and scarcity instead of the abundance that is possible when we find happiness in collective as opposed to individual success.

Abstract In Elizabeth Brockman's final “Editor's Introduction,” she reminisces about her twenty-four-year tenure as column editor of From the Classroom. The primary focus, however, is a celebration of Bev Hogue's “Ink, Blood, and Bones: Excavating History via Natasha Trethewey's ‘Native Guard,’ ” which is the final FTC manuscript she edited.