The Ramayana, one of the two major Sanskrit epics of ancient Indian literature, has been a significant influence on culture, art, and spirituality across generations. While traditionally perceived as a male-cantered narrative, the role of women in the transmission of the Ramayana has been pivotal in shaping its enduring legacy. This paper examines the dynamic and multifaceted involvement of women in the cultural transmission of the Ramayana, exploring their roles as active participants in the preservation, interpretation, and dissemination of its stories. Historically, women have contributed as storytellers, poets, performers, and spiritual leaders, influencing both oral and written traditions. In the family setting, women have been instrumental in passing down the epic through oral recitations, where they often embody the virtues and trials of characters like Sita, Kaikeyi, and Urmila. Women have also played a key role in performing arts, such as dance, theatre, and music, ensuring that the Ramayana reached diverse audiences.

This paper explores the persistence of hegemonic masculinity in Nepal, a patriarchal society where gender roles are entrenched in social, professional, and domestic spheres. It examines how male dominance is perpetuated in fields like engineering, where female professionals face barriers due to gendered norms, and in media and politics, where men are portrayed as symbols of power. Domestic violence is also analyzed as a means of asserting masculinity within households. Despite growing awareness and efforts to challenge these norms, hegemonic masculinity remains deeply embedded in Nepal’s culture, requiring sustained efforts toward gender equality and transformative change.

Kiran Desai's ‘Hullaballoo in the Guava Orchard’ is a poignant exploration of postcolonial India. It delves into the intricate interplay of memory, history, and colonialism's enduring legacy. Through a unique blend of magical realism and historical fiction, Desai constructs a narrative that critiques the distortions of historical narratives, the burden of the past on the present, and the search for authentic identity in a nation grappling with its colonial past. The novel's setting, the fictional town of Shahkot, serves as a microcosm of India's broader societal and political landscape. Desai employs magical realism to challenge linear narratives and conventional historical accounts, highlighting the subjective nature of memory and the fluidity of time. By blurring the lines between the real and the fantasy, the author invites readers to question the veracity of historical records and to consider alternative perspectives.

The traditional chieftainship and land holding systems of the Kuki tribes in Northeast India serve as pillars of cultural identity and governance. Rooted in patriarchal and customary practices, these systems regulate chiefs as the owners of land, with communities living under the authority of the chief within the village. However, modern socio-economic changes, urbanization, and policy reforms have challenged their relevance and functionality. This study, titled "From Tradition to Transition: The Dynamics of Kuki Chieftainship and Land Systems", examines the interplay between traditional practices and modern governance demands. Through a mixed-methods approach, combining interviews, surveys, and case studies, this research highlights key dynamics: the tension between traditional authority and democratic governance, the erosion of land holding systems due to commercialization, and the generational shift as youth lean toward modern livelihoods. While chieftainship continues to provide cultural cohesion and dispute resolution, issues of accountability, transparency, and adaptability to democratic principles particularly regarding land right persist.

Anita Desai's ‘Clear Light of Day’ intricately navigates the complex terrain of familial relationships and individual identity against the backdrop of postcolonial India. This abstract delves into the thematic depth and narrative intricacies of the novel examining the characters' profound struggles to reconcile the past with the present. Through a meticulous analysis of character development and thematic exploration, this study illuminates the dichotomies of tradition and modernity, nostalgia and progress as portrayed through the lives of the Das siblings. The research highlights the novel’s broader implications in the context of postcolonial literature offering a nuanced perspective on the evolving landscape of personal and national identity. The abstract provides a glimpse into the rich tapestry of emotions, ideologies, and societal shifts depicted in ‘Clear Light of Day’, showcasing Desai’s literary prowess and the enduring relevance of her work.

This research paper explores the oral narratives of the Birhor tribe in the Purulia district of West Bengal, focusing on their cultural expressions, worldview, and literary significance. Through their folktales, myths, and songs, the Birhor people have preserved their unique identity and historical consciousness. The study highlights how oral narratives function as both a repository of indigenous knowledge and a reflection of socio-political realities. Through a postcolonial lens, this paper examines the ways in which storytelling serves as a means of cultural continuity, resistance against external influences, and a voice for marginalized communities in a multicultural world. By engaging with critical perspectives on oral traditions and indigenous literature, this study contributes to the discourse on indigenous epistemology, literary traditions in India, and the significance of preserving subaltern voices.

The paper is on film festivals being held in Dharamshala, Kashmir and Jammu. All these film festivals are based on screening of both national and international films. The main objective of these film festivals is to create and search a platform for films to be screened made by filmmakers for film audiences i.e. students, scholars and people who love films. To acquaint the readers about the emergence of film festivals, their history is described in backdrop of World film festivals and Indian film festivals. The emphasis has been laid down to discuss popular film festivals of India and the world, besides giving the purpose of film festivals in detail. The paper deals with the film festivals in Dharamshala, Kashmir and Jammu.

This bibliometric analysis provides an in-depth examination of the scholarly research focused on the implications of Goods and Services Tax (GST) within the textile business sector. GST, a significant tax reform implemented across many countries, has had profound effects on various industries, including textiles. To understand these impacts comprehensively, this study analyzes a range of bibliometric indicators such as publication trends, prominent authors, influential journals, and citation patterns. By scrutinizing publication trends, the analysis uncovers how interest in GST’s impact on the textile industry has evolved over time, indicating shifts in research focus and emerging areas of interest. The identification of prominent authors helps to spotlight leading experts and contributors who have advanced the understanding of GST's effects on textiles. This includes understanding their research contributions, methodological approaches, and how their findings have shaped current knowledge in the field. The study also examines influential journals that have published key research articles, providing insights into where significant discourse and findings are being disseminated. These journals are crucial in shaping the academic conversation around GST and textiles. Citation patterns are analyzed to determine which studies and findings are most impactful and widely referenced within the scholarly community. This not only highlights the significance of certain research but also identifies seminal works that have shaped the current understanding of GST’s implications for the textile business. Overall, this bibliometric analysis offers a comprehensive overview of the research landscape concerning GST's impact on the textile sector. It identifies significant contributions to the field, highlights influential researchers and publications, and points out critical areas that require further exploration. This thorough analysis helps to map out the existing knowledge, recognize gaps, and guide future research directions to deepen understanding and inform policy decisions related to GST and the textile industry.

The Civil Disobedience Movement, launched by Mahatma Gandhi in 1930, marked a turning point in India’s struggle for independence by actively encouraging mass participation, including women from various regions. Among them, Bengali women played a significant yet often overlooked role. This paper explores the active engagement of Bengali women in the movement, highlighting their leadership, courage, and contribution to non-violent resistance. Drawing from historical accounts, the study examines how these women navigated social constraints, challenged colonial authority, and redefined their roles in both the public and private spheres. Their involvement not only strengthened the national movement but also laid the foundation for future women's empowerment in India.

Medha-Lekha is a tribal village located in the Gadchiroli district of Maharashtra, which has appeared as a successful model of community ownership and self-governance under the Community Forest Rights Act of 2006. The village embodies the slogan, “दिल्ली, मुंबई में हमारी सरकार, हमारे गाँव में हम ही सरकार” (In Delhi and Mumbai, it's their government – in our village, we are the government)." The Gram Sabha (village assembly) is the highest decision-making body here. It collectively makes rules, takes decisions, and implements them. In a noteworthy move, the villagers transferred their private land to the Gram Sabha, thereby establishing shared proprietorship over land. Every resident has access to year-round employment, and through activities like bamboo harvesting, honey production, and the sale of other forest products, the village earns an annual income of nearly one crore rupees. The community ensures equal participation in education, healthcare, and housing, while also promoting gender equality. The village strictly follows principles such as prohibition of alcohol, transparent financial management, and scientific forest conservation. Medha-Lekha’s journey began as a protest against the Forest Conservation Act of 1980 and excessive government interference. This struggle culminated in a historic victory in 2011 when the village was granted community ownership rights over 1,890 hectares of forest land. By liberating forest resource management from bureaucratic control, the village has achieved economic self-reliance and has become a beacon of inspiration for other movements across the country fighting for rights over jal, jungle, and zameen (water, forest, and land).