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  • Research Article
  • 10.1080/13534645.2025.2569921
Orient, Genesis, Figure
  • Jan 2, 2025
  • Parallax
  • Kuniichi Uno

  • Research Article
  • 10.1080/13534645.2025.2569914
Postmedia Art as ‘Intersection’ in Guattari and TV WAR
  • Jan 2, 2025
  • Parallax
  • Yuuki Tanaka

  • Open Access Icon
  • Research Article
  • 10.1080/13534645.2025.2569917
Tokyo Heterotopia
  • Jan 2, 2025
  • Parallax
  • Toni Hildebrandt

  • Research Article
  • 10.1080/13534645.2025.2569919
Charismatic Thieves and Troubled Teenagers: Miyazaki Hayao’s Animation Films and the Postmedia Condition
  • Jan 2, 2025
  • Parallax
  • Maria Grajdian

  • Research Article
  • 10.1080/13534645.2025.2569915
Beyond Stupid: The Strange Machines of Yuko Mohri
  • Jan 2, 2025
  • Parallax
  • Jay Hetrick

  • Research Article
  • 10.1080/13534645.2025.2569920
Is Another Postmedia Possible? Rethinking Guattari’s Non-Semiotic Philosophy
  • Jan 2, 2025
  • Parallax
  • Mahoro Murasawa

  • Front Matter
  • 10.1080/13534645.2025.2569913
The Art of Japanese Postmedia
  • Jan 2, 2025
  • Parallax
  • Jay Hetrick

  • Supplementary Content
  • 10.1080/13534645.2025.2569911
Postmedia and Chaosmosis: Félix Guattari’s Media Philosophy
  • Jan 2, 2025
  • Parallax
  • Masaaki Sugimura

  • Open Access Icon
  • Research Article
  • 10.1080/13534645.2024.2494397
Shifting Temporalities and Future-Oriented Ends in Two End-of-Life Memoirs
  • Oct 1, 2024
  • Parallax
  • Lena Englund

  • Research Article
  • 10.1080/13534645.2024.2494399
Karen Cheung’s The Impossible City, a Commemoration of Hong Kong in Post-time
  • Oct 1, 2024
  • Parallax
  • Ann Tso