Abstract: This paper reveals the importance of stories associated to specific objects. The study argues that storytelling can infuse life and meaning into insignificant things. From a semiotic point of view, material objects become signs linked to particular people, experiences, desires, values, thus creating strong emotional bonds with the landscapes part of human daily routines. Beyond fetishism or consumerism, these significant objects could serve the purpose of eco-critical awareness. Through the lenses of a micro-narrative by British novelist Tom McCarthy, attached to the insignificant object of a “Mermaid figurine”, the paper explores the ecology of little things in order to draw attention to sustainability concerns.

Abstract: This paper emphasizes the crucial role that language use plays in climate change communication. In particular, this paper examines UN public discourse and narratives about climate change. It will be shown that the climate change is often described as a "threat to human wellbeing" and as an external enemy—the Other. On the other hand, humanity is often portrayed as a victim of climate change. The consequence of this rhetoric and logic of apocalypse is insufficient action in relation to climate change. The narrative construction of the Other that is described as a threat is founded on binary oppositions: we/they, self/other, culture/nature, human/nonhuman and so forth. As long as climate change is described as an external enemy and "independent matter" and climate policy is based on binary oppositions, action to combat climate change will remain insufficient.

Abstract: Many environmental ills derive from humanity’s unsustainable fondness for meat, a fondness that often pushes (and sometimes breaks) environmental limits and reveals unsustainable patriarchal ideologies. Han Kang’s The Vegetarian and Ang Li’s The Butcher’s Wife each, in very different ways, expose the strands of “meat and gender“ enmeshments in Korea and Taiwan respectively, showing the mutual interdependence of carnivorism and patriarchal power. So deeply rooted are the entangled strands of carnivorism and sexism that contesting them (either together or apart) means dismantling the very definition of human corporeality: in The Vegetarian, this means that a woman becomes a plant; in The Butcher’s Wife, it means that a man becomes the very cattle he has spent his life slaughtering; in both, questioning meat is a very dangerous challenge that comes from a woman through a narrative perspective that is clearly feminist. Both novels plainly show deep analogies and correspondences between domestic violence and violence against animals, and yet, in both, there is a taut relationship between vegetable-based histories and a more meat-based modernity. This article argues firstly that the violence of meat-eating in The Vegetarian and The Butcher’s Wife is both physical and psychological. Dreams and madness are involved. Normalcy is male, deviance female. Order is meat, chaos vegetal. And the threat of death will either be fully realized or will hang menacingly in the air. Secondly, this article argues that the novels importantly show that breaking points (psychological and environmental) are often utterly unpredictable and that once breached, the results can also be devastatingly unpredictable.

Abstract: Over the recent years, some authors have questioned the hegemony of mankind (Anthropocene) over nature. The recent virus outbreak known as COVID19 starts a new period known as “violence” where humans are forced to recede to the private sphere. The COVID19 pandemic not only alerted the health authorities but also disposed of extreme measures which included the close of borders, airspaces, as well as the imposition of lockdown and social distancing. Not only global commerce but also the tourism industry was placed on the brink of collapse. In this grim landscape, the problem of climate change is far from being solved. While steps to reverse the greenhouse gas emission should be taken globally coordinating efforts among nations, the current climate of tension without mentioning the geopolitical discrepancies (among countries) impedes the formation of global sustainable institutions to monitor and regulate the effects of climate change. The present article centers on a visual ethnography on the film Contagion, to lay the foundations towards a new understanding of ideology and its effects on ecological justice.

Abstract: Environmentality teases out the multilayered human-environment contacts and connections in terms of human agency and governmentality, ecological objects and their (in)dependence, power/knowledge and environmental (in)justice. “Sustainable Development Goals” recognize that ending poverty and other deprivations must go hand-in-hand with strategies that improve health and education, reduce inequality, and spur economic growth – all while tackling climate change and working to preserve our environment. This paper outlines the scopes, scales, and methods of Chinese storytelling and multimedia exhibitions on deforestation and afforestation, pollution and purification, and wastelands and eco-systems in industrial, de-industrial, and post-industrial times. The author considers short stories, novels, reportages, nonfiction writings, and visual artworks, with specific focus on trees, forests, and plant writing. By reading Kong Jiesheng’s “Forest Primeval,” Ah Cheng’s “King of Trees,” Xu Gang’s Loggers, Wake Up!, Yan Lianke’s Garden No. 711: The Ultimate Last Memo of Beijing, and Chen Yingsong’s The Forest Is Silent, the author aims to bring to light the awakening and formation of Chinese ecological consciousness, the token of marred humanity and ecocritical reflection, the manifestation of biophilia-biophobia experiences, as well as the structural transformation of private feelings and public emotions in modern and contemporary China

Abstract: The 2022 Beijing Winter Olympics faced many difficulties in the field of sustainable development. These included the reduced attractiveness of the Olympic Games as well as a certain prejudice and misunderstanding that China faces, coming mainly from western society. Encouraged by the Olympic slogan "Together to the Future", Beijing developed new technologies and explored new ideas in order to better integrate sports, economy and culture, and promote the sustainable development of the games. Taking the Winter Olympics as an opportunity, Beijing improved its sports infrastructures and industry and made useful explorations in the management of the Olympic legacy. The contribution made by the Beijing Winter Olympics in the field of sustainable development is the topic if this paper.

Abstract: Sustainable development in education is one of the goals promoted by United Nations in relation to human development. It is also a great challenge for most countries, including China. Achieving educational equity is one of the keys to the success of the sustainable development in education. Faced with the complex challenges of regional, urban-rural and inter-school disparities in education, China's central and local governments have been working in order to promote sustainable development in education and improve educational equity. A variety of solutions have been proposed to address inequities and achieve significant results. In the process of practice, some reflections on encountered and potential problems have also been made, accompanied by discussions.

Abstract: The International Council on Monuments and Sites (ICOMOS), strongly believes that heritage—natural and cultural, tangible and intangible—is fundamental to addressing the United Nations (UN) Sustainable Development Goals (SDGs). This paper explores Liangzhu cultural heritage located in Hangzhou, China. It argues that cultural heritage is also a special kind of living narrative. In accordance with the United Nations Sustainable Development Goals, cultural heritage narratives carry an important function in global sustainable development. Cross-media narrative development of Liangzhu site and ancient symbols are explored, from the appearance of elements like "The God with Mixed Human and Animal Facial Features" in design products, to the consideration of the pioneer integration of 5G technology taking place in the city of Hangzhou, an example of sustainable urban development.

Abstract: Abstract: Focusing on the ideological connotations and artistic techniques of the graphic novel The Wandering Earth, this paper discusses its adaptation from the literary work, and reveals its thoughts on the ecological problems and the sustainable development in the Anthropocene. Images in this graphic novel do not simply reproduce the externally visible objects, but let the invisible be seen by presenting a certain way for the viewer to observe the earth. This novel organically combines science fiction and the art of graphic storytelling, which is worthy of in-depth discussion from the interdisciplinary perspective.

Abstract: Whereas mainstream theories of environmental art and sustainable development consider art as a domain suitable for the application of environmentally friendly procedures, such as the circular economy, trash management and digitization, this research article focuses on the internal development of the autopoetic and selfreferential art machine, which generates an art-specific sustainability. The circular environmental economy coexists with the circular art economy, which implies changes in the aesthetics and poetics of the artwork; it deploys upcycling to use art trash in creating a new, higher value object. Art-specific sustainability contributes to the power and complexity of the art machine with new conceptual interventions and devices. These devices allow art to resist threats from other fields and to redefine itself. As sustainable development agendas of international organizations take into account the social, political, and economic initiatives that promote ethics, inclusion, and tolerance, this article discusses the contributions of contemporary environmental art to expanded concepts of the political and science. In particular, art activism, in cooperation with civil society, can be an important driver in areas that parliamentary politics overlooks.