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Abstract Indigenous leaders and scholars demand greater respect for their governance and knowledge authority, with one priority the de/centring of the environmental management research-praxis arising out of natural science traditions (Latulippe and Klenk, 2020). That is, to de-centre colonial privilege and centre Indigenous authority. Who can do this and how involves conceptual, political and cultural expertise; yet, natural science disciplinary practices prioritise invisibilizing power, culture and perspective (Latulippe and Klenk, 2020; Vásquez-Fernández and Ahenakew, 2020). This article is an intervention into this context. As a non-Indigenous scholar, I introduce the analytical tools I use to unpack two core assumptions that confounded my ability to hear what Indigenous mentors were saying about environmental management. With two demonstrations—Xaxli’p (Canada) and Gunditjmara (Australia)—I also show how Indigenous leaders do not just present their own approaches, but re-constitute environmental management itself with their meanings, practices, and priorities, whilst environmental management also influences Indigenous knowledge and governance. My focus is with how knowledge is formed and re-formed within and between diverse knowledge holders, including my work as a reflexive modern scholar. Significantly, this article is not purely for edification: this is justice work—in support of both Indigenous people and nature.

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Signifying Aboriginal Identity, Culture and Country in Central Queensland Through a Public Art Project

Abstract Alongside Toonooba (the Fitzroy River) in central Queensland, a series of Aboriginal flood markers are embedded within the earth, commanding attention to the river that flows on one side and the colonial infrastructure of Rockhampton that lies on the other. The flood markers are part of an arts project commissioned by the Queensland Government in 2013 to mark Rockhampton’s history and its relationship to the river. The flood markers, named Honouring Land Connections, assert Indigenous voices into discourses of place, particularly discourses about the significance of rivers on Country. This article explores how art represents wider socio-cultural and politicised contexts of Indigenous and non-Indigenous discourse. The authors discuss the artworks as a form of social action that signifies Rockhampton as an Indigenous space with a history that cannot be neatly divided into three time periods. Any suggestion that Honouring Land Connections represents Rockhampton’s precolonial period disregards Indigenous people’s ongoing connections with and responsibilities for Country. The artworks signify contested spaces, places and knowledge of Country, culture, and waterways. Honouring Land Connections maintains cultural connections and speaks back to White preconceptions of Indigeneity. The artists wage war on the selective readings and colonial amnesia in Australia to directly challenge notions of terra nullius and intellectual nullius. This article shows how art can facilitate interaction through which Aboriginal artists can affirm, negotiate, share, and explore their identities while challenging dominant Eurocentric preconceptions of place and identity.

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Can There Be Justice Here?

Abstract This article examines the intersecting forms of social and environmental injustice shaping the lifeworld of Indigenous Marind communities and their more-than-human ecologies in the Indonesian-controlled province of West Papua. Over the last decade, large-scale deforestation and monocrop oil palm expansion have radically undermined Marinds’ intimate and ancestral kinships with sentient forest plants and animals, as well as the moral principles that undergird interspecies relations. These transformations are exacerbated by conservation practices that are undertaken in the name of corporate sustainability but that are problematically premised upon an assumed divide between humans and the environment. The exclusion of Marind from natures both exploited and preserved sits in turn within a long-standing and ongoing history of violence and discrimination perpetrated against West Papuans under Indonesian rule. Drawing from Marind philosophies, practices, and protocols of more-than-human relationality, I examine how Marind conceive and contest the possibility of justice now and in the future—for themselves, forest organisms, and oil palm—amidst multiple, overlapping, and intersecting injustices provoked by capitalism, conservation, and colonialism. I invite an expansion of the scope and subjects of justice beyond the human that remains nonetheless acutely attentive to the persistence of capital-colonial regimes systematically positioning Indigenous peoples as killable before the law.

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