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Synergistic Team Teaching for Professional Development: A Case Study Approach

This study proposes an innovative approach for English professors who lack the time to engage in professional development (PD) programs, believe such programs are conducted in a decontextualized manner, or regard them as too expensive. Based on a qualitative case study performed from January to September 2018, this study addresses the following question: How can team teaching promote PD for mid-career English as a foreign language university professors? It investigates the types of PD that emerged when two English professors at the University of Costa Rica engaged in synergistic team teaching. Theparticipants team taught a course for students newly admitted into the English-teaching major. In this study, synergistic team teaching is understood as a method in which two professors share classroom space and teaching practices and engage in planning discussions together. To understand what the participants learned when practicing team teaching, data were collected through semi-structured interviews and coded following Creswell and Poth’s (2018) data analysis spiral. The coding was developed in light of the conceptualization of PD developed by Guskey (2002), Sparks (2002), and Johnson (2006). Accordingly, thisstudy identifies instances (during the interview or during the classroom observation) that can be interpreted as change of the classroom practices, change in the attitudes and beliefs of the professors (Guskey, 2002), continuous improvement of teaching and learning (Sparks, 2002), and teacher’s knowledge transformed into practice (Johnson, 2006). This study shows how team teaching offers professors a community of practice in which they can share, discuss, and implement new teaching knowledge. Through team teaching, teachers receive PD benefits that match their classroom context perfectly, enabling them to engage in authentic, fully contextualized learning opportunities.

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Cuerpos que significan en la escena y la pantalla: Imágina (2010), un singular desafío transmedial.

El largometraje Imágina (2010), de Adrián Cordero y Roberto Peralta, ejemplifica una operación de escritura transmediática que ha sido poco explorada por los creadores costarricenses: esa que traslada las formas y los contenidos de un espectáculo de danza, concebido para la escena, a una entidad audiovisual cuyas temporalidad y espacialidad son pensadas para la pantalla. El videodanza de Cordero y Peralta “transpone” tres coreografías de Rogelio López: Prohibido adentrarse en el bosque, Cuerpos de la barra y Homenaje a María Cristina (2007-2010). Esta operación de transposición contó con la participación del mismo coreógrafo, así como de las bailarinas y bailarines del grupo Danza abierta, quienes hicieron parte de la versión escénica de las creaciones. Con el texto audiovisual como punto de partida, este artículo examina la escritura transmediática que lo hizo posible; es decir, una operación de transposición constituida por el encuentro y diálogo de dos medios artísticos con sus materiales, códigos, convenciones y potencialidades particulares. El examen llama la atención sobre los intercambios y las tensiones que emergen de la concurrencia de profesionales de dos disciplinas distintas. Se reconoce finalmente en Imágina la productividad de esta diferencia mediática y disciplinar.

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Importancia cultural de la flora para especialistas populares en Cedral y Corazón de Jesús. Zona de amortiguamiento. Reserva Biológica Alberto Manuel Brenes

Ethnobotanical research has acquired significance due to the accelerated loss of traditional knowledge and the decrease of useful species as a consequence of natural habitat degradation. This research rescues the ethnobotanical knowledge of popular specialists and identifies the plants with the highest cultural importance in two communities from the buffer zone of the Alberto Manuel Brenes Biological Reserve. The qualitative ethnobotanical research was conducted with folk culture specialists through the application of in-depth interviews, free lists and ethnobotanical walks. The Cultural Importance Index allowed the identification of the most relevant species for these communities. The use of 214 species or taxonomic groups from 75 botanical families was recorded. The family with the largest number of useful species, Asteraceae, includes mainly herbaceous species used as a medicinal resource, followed by Orchids (Orchidaceae) used to decorate the exteriors of houses or gardens. The most important cultural species was Cipres, Cupressus lusitanica, with multiple uses and secondly, the medicinal plants Neurolaena lobata (Gavilana), Chenopodium acuminatum (Apazote), Salvia rosmarinus and the multi-use tree Acnistus arborescens (Guitite).

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