Abstract
Legislators and Interpreters (1987), Modernity and the Holocaust (1989) and Modernity and Ambivalence (1991) are the foundational trilogy on which Zygmunt Bauman developed much of his later work (from postmodernity to liquid modernity and from “the Jew” to “the Stranger”). This article is a unique engagement with the trilogy and with the metaphorical thinking which relates the trilogy to Bauman's later work in the first two decades of the twenty-first century. The article is divided into three parts focusing broadly on Warsaw, Leeds, and Jerusalem as contextual “windows” for Bauman's Jewishness under the sign of totalitarianism, exile, and globalism. This is the first account of Bauman's Jewishness in relation to his extraordinary life and work and includes, for the first time, his little known “Jewish” essays which are placed next to his more general theories of modernity.
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