Abstract
Interpolations first appeared in the architecture of Belgrade in the final quarter of the nineteenth century, and today represent virtually the only possible way of constructing a building in the city's urban core. As their aesthetics are determined by the adjacent buildings, together with which they form units of street, square, or block compositions, research into the appearance of interpolated buildings among Belgrade's architecture is extremely important for correcting strategies for developing aesthetics of parts of the city, and thus of the city as a whole. This is especially true for analyses of recent interpolations, which can provide us with answers regarding the causes and directions of architecture in the present.
Highlights
The aesthetics of interpolated buildings are conditioned by the adjacent buildings, and by the urban environment in which the newly designed building has been situated
Иако је временска дистанца за објективно сагледавање уграђене ар хитектуре овог периода изузетно мала, неопход но је у континуитету анализирати примјере добре и лоше праксе, јер посљедице које за собом оста вља лоша пракса шир е се на исти начин на који се објекти уграђују у постојеће ткиво, ланчано.[41]
У односу новоизгрђеног објекта према сусјед ним, огледа се однос савремене архитектуре пре ма затеченом стању, односно савременог грађења према градитељском насљеђу, па значај проматра ња интерполација као феномена не бива важан са мо на нивоу архитектуре и односа новоизграђе ног према најближим сусједним грађевинама, већ се може испитати на који је начин објекат допри нио естетици уличног низа, улице, трга или блока
Summary
The aesthetics of interpolated buildings are conditioned by the adjacent buildings, and by the urban environment in which the newly designed building has been situated.
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