Abstract
Abstract:This article argues that Herland, Charlotte Perkins Gilman’s influential 1915 utopia, ratifies and works to renew the ideologies of a white, racist, male-dominated heteronormativity through the body of the child. Through its obsession with the child, Herland enacts the “reproductive futurism” that queer theorist Lee Edelman recognizes as the heavily guarded, central constituting principle of heteronormative culture. Gilman’s text does not provide a new vision for America; rather, Herland enacts a renewal of the same constitutive fears that heteronormative culture seeks to displace onto the body of the child. Gilman’s text is, thereby, deeply implicated in the very patriarchal subjugation the author wishes to subvert and in the larger reproduction of a racist and heterosexist hegemony.
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