Abstract

This paper reports the results of particle size analysis and colour measurements concerning yellow powders, synthesised in our laboratories according to ancient recipes aiming at producing pigments for paintings, ceramics, and glasses. These pigments are based on lead and antimony as chemical elements, that, combined in different proportions and fired at different temperatures, times, and with various additives, gave materials of yellow colours, changing in hues and particle size. Artificial yellow pigments, based on lead and antimony, have been widely studied, but no specific investigation on particle size distribution and its correlation to colour hue has been performed before. In order to evaluate the particle size distribution, segmentation of sample data has been performed using the MATLAB software environment. The extracted parameters were examined by principal component analysis (PCA) in order to detect differences and analogies between samples on the base of those parameters. Principal component analysis was also applied to colour data acquired by a reflectance spectrophotometer in the visible range according to the CIELAB colour space. Within the two examined groups, i.e., yellows containing NaCl and those containing K-tartrate, differences have been found between samples and also between different areas of the same powder indicating the inhomogeneity of the synthesised pigments. On the other hand, colour data showed homogeneity within each yellow sample and clear differences between the different powders. The comparison of results demonstrates the potentiality of the particle segmentation and analysis in the study of morphology and distribution of pigment powders produced artificially, allowing the characterisation of the lead and antimony-based pigments through micro-image analysis and colour measurements combined with a multivariate approach.

Highlights

  • The preservation, archival, and study of cultural heritage is of the utmost importance at local, national, and international levels [1]

  • These pigments were previously characterised through XRF (X-ray fluorescence) spectroscopy, SEM-EDS analysis, and micro-Raman spectroscopy [14,15,16,17]

  • Two groups of pigments, based on lead and antimony, were chosen for the present study: one group composed of three samples, named APB1, APB2, and APB3, produced according to the recipe by Valerio Mariani from Pesaro with the addition of NaCl, and another group including two samples, named PSAPPB1 and PSAPPB2, synthesised according to the common recipe of Cipriano Piccolpasso and Giambattista Passeri [18,19]

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Summary

Introduction

The preservation, archival, and study of cultural heritage is of the utmost importance at local, national, and international levels [1]. Researchers in the field of imaging science have contributed to a growing set of tools for cultural heritage, thereby providing indispensable support to the above said efforts [2,3,4,5,6,7] In this scenario, the morphological and morphometric analysis of the particles of pigments can supply a useful contribution to the knowledge and conservation of artistic objects. In order to evaluate the influence of particle size distribution on colour characteristics, starting from our previous studies, a group of yellow pigments produced in our laboratories from Pb and Sb elements or compounds were selected in the form of powders. The study of artificial yellow pigments is relevant for gathering information about the possible historical period of artworks, the geographical area of production or provenance, and potentially for attribution purposes

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