Abstract

The highly recognizable title-page illustration from Christopher Marlowe’s play Doctor Faustus was also used in the printing of a ballad to commemorate the death of “Doctor” John Lambe in 1628. This paper explores rhetorical, historical, visual, and bibliographic connections between the two works as well as the cultural significance of their relationship and the stories they tell, which are fraught with warnings regarding the inherent dangers of magic practiced by purported healers. The correspondence of the ballad and the play highlights challenges and changes in the medical marketplace of early modern London, demonstrating the complexity and consequence of the connections among historical events, textual records, and fictional literary representations. Finally, comparing the shared woodcut with an engraved frontispiece from a book written by a more reputable physician, Sir Thomas Browne, traces the rise of more trustworthy medical practitioners in mid-seventeenth-century England.

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