XVI. Gesture in Sumerian and Babylonian Prayer

Abstract

Religious worship is abundantly illustrated in many of its most important aspects by scenes engraved on Sumerian, Babylonian, and Assyrian seal cylinders. Chronologically the seals of this region illustrate nearly every period of the long history of these peoples and the changing rituals and beliefs of their religion. A very large proportion of the seals represent the owner of the seal approaching a deity in the attitude of prayer. This is especially true of the glyptique of Sumer and Akkad, where the proportion of this type of seal to all others is much greater than in Assyria. In the northern empire the Assyrians are not so much attached to the scenes of worship, but even here this motif is well represented. The engravers of cylinders in all periods probably kept in stock seals engraved with the scene of the private prayer as the custom imposed in their periods. The human who is figured standing before a god, or in Assyria more frequently before a divine symbol, is not a portrait of the owner of the seal. The owner regards himself rather as represented and symbolized by the conventional figure. In those cases in which the engraver produced a seal cylinder at the command of a Sumerian or Babylonian, perhaps, we may regard the praying figure as an approximate portrait.