Abstract
The 1930s bore witness to a multitude of film adaptations of canonical Victorian novels and this chapter argues that Wyler’s film adaptation of Emily Bronte’s classic, Wuthering Heights, serves as a fresh case study for the Victorian novel-as-film relationship and through a transnational lens reveals the influence of Wyler, a foreign-born director, on the adaptation of a quintessential Victorian novel and yet within the Hollywood tradition. Author: Gabrielle Stecher
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