Abstract

The innovative output of Wuthigrai Siriphon draws on his Thai heritage and extensive knowledge and practical experience of regional textile craft techniques. But whilst his work often references historical forms and colour palettes, his studio textiles are far from staid, exhibiting a modernist sensibility frequently verging on the spectacular. Securely pigeonholing such a creative practitioner is always problematic, but any attempt at categorization is made even more difficult so once the viewer acknowledges the layered nature of South East Asian textile practice. This is a region where traditional understandings of fabric and colour still compete with modernist perspectives on design, material selection and colour application and rural craft weavers continue to make a living alongside industrial factories. Wuthigrai and his ouvre is a product of this complex and vibrant material culture, highlighting tradition whilst retaining its contemporary relevance.

Full Text
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