Abstract

As defined by Ika Willis, slash is "fiction written by women involving man-on-man (m/m) sexual and/or romantic relationships" (290). Refracted through the contemporary theories of moral philosophy, this paper names such slash as cultural appropriation; however, it further contends that such cultural appropriation is not inherently unethical but instead represents a generative imaginative space in which new configurations of gender and sexuality might be theorized. Building upon this premise, this paper argues that slash's appropriative nature only becomes problematic when it generates misrepresentations that decouple the gay community from its histories, both joyous and painful.

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