Writing Regional Identities in Medieval England: From the "Gesta Herwardi" to "Richard Coer de Lyon by Emily Dolmans

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Reviewed by: Writing Regional Identities in Medieval England: From the "Gesta Herwardi" to "Richard Coer de Lyon by Emily Dolmans Robert Rouse Emily Dolmans. Writing Regional Identities in Medieval England: From the "Gesta Herwardi" to "Richard Coer de Lyon". Cambridge: D. S. Brewer, 2020. Pp. xiv, 235. $95.00 cloth; $29.95 e-book. Scholarship on the articulation of English identity during the medieval period has been somewhat of a boom industry over the past twenty-five years. To a large extent initiated by the publication of Thorlac Turville-Petre's England the Nation in 1996, the subfield has borne forth a rich variety of monographs, articles, and conferences examining the development of Englishness, in its manifold theorized forms, from the arrival of the Early English through to the end of the Middle Ages. Many of these studies have sought to understand these nascent forms of English group identity (the concept of nation is problematic in a medieval context) by examining the way in which identity coalesces around the center, most often in the form of the elite community of the realm, the communitas regni. Emily Dolmans's much-needed 2020 study, Writing Regional Identities in Medieval England: From the "Gesta Herwardi" to "Richard Coer de Lyon," provides a timely nuancing of such a centralized model of identity, arguing convincingly that much medieval Englishness is determinedly local and regional in nature. Judiciously ranging across a wide span of multilingual literature set within, and on the borders of, medieval England, Dolmans's book makes a convincing case for a renewed examination of the myriad ways in which Englishness is imagined across a variety of locales during this period. The book comprises a framing introduction and five chapters, each of which forms a case study of a particular regional form or mode of English identity. The introduction, "These Englands: Regional Identities and Cultural Contacts," highlights two key aspects central to Dolmans's argument. First is the plural nature of the identity formations to be examined. Each construction of English identity performed in these texts is different, sometimes in nature, sometimes in degree, reminding us of the communal [End Page 395] fiction that lies at the heart of any sense of group identity. The many different Englands examined in Dolmans's book stand testament to the enduring value and importance of such an idea, while simultaneously reminding us of the inherent plurality of an idea repeatedly reimagined and redeployed in different geographical and political contexts. Second, the reader is reminded of the importance of the not-English in any formulation of English identity. As theorists of identity have reminded us for many decades, much of the heavy lifting of identity politics is performed by imagined and real cultural others. Here we find the Welsh, the French (in the guise of the Norman/Angevin kings), and the non-Christian others of the romance East examined for their role in the identity politics of the medieval English. Dolmans begins with the post-Conquest English identity crisis as articulated in the twelfth-century Gesta Herwardi. In this reading, the island cathedral city of Ely looms large, read here as an identity locus for the regional poetics of the text. A gesturing here toward a fractal kaleidoscope of local responses to the social and political upheaval of the Conquest reminds us of the fragile nature of the late pre-Conquest English state, a realm where regional identities were still palpable, as evident in the spatial politics of poems such as The Battle of Maldon. A retreat to long-held identity politics of the local is a natural strategy in the face of regnal displacement. After discussing Hereward, Dolmans moves us east to Lincolnshire, into the world of Gaimar's regional history, the Estoire des Engleis. Gaimar, writing in the deeply multicultural legacy of the east of England, weaves together narratives from Danish, English, and continental histories to create a sense of regional cultural identity that is simultaneously safely nostalgic and progressively integrative. The March of Wales has a history of complex and ever-changing landscapes of identity, as work in recent years by scholars such as Lindy Brady and Daniel Helbert has reminded us. Dolmans...

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Becoming English: Ronwenne’s Wassail, Language, and National Identity in the Middle English Prose Brut Margaret Lamont Ronewenne, þat was Engistes douʒter, come wiþ a coupe of golde in here honde, and knelede bifore þe kyng, and saide to him “Whatsaile!” and þe kyng wist nouʒt what it was forto mene, ne what he shulde ansuere, for-asmiche as himself ne none of his Britons ʒitte couþe none Englisshe speke, ne vnderstonde it, but speken þo þat same langage þat Britons ʒitte done. . . . and þat was þe ferst tyme þat “whatsaile” and “drynkehaile” come vp into þis lande; and fram þat tyme into this tyme it Haþ bene wel vsede. [Ronwenne, who was Hengist’s daughter, came with a cup of gold in her hand, and knelt before the king, and said to him, “wassail!” And the king did not know what it meant, nor what he should answer, because neither he nor any of his Britons could speak any English yet, nor understand it, but they spoke the same language that Britons [i.e. the Welsh] still do. . . . And that was the first time that “wassail” and “drink hail” [End Page 283] came into this land, and from that time unto this time it has been well used.]1 The Middle English prose Brut, the most widely circulating vernacular history of Britain in the Middle Ages, consistently presents England as a unified nation, one that arises out of the multiplicity of peoples in medieval Britain. This marks a departure from both its earlier sources and many of the histories contemporary with it, which present, instead, conflicting ethnic and regional identities within Britain. Recent scholarship has focused so heavily upon this counternational, regional tradition that it is easy to forget that there was also a strong current of “nationalistic” British historiography. I want to focus on this current here, with special emphasis on the prose Brut’s presentation of the Saxon2 arrival in Britain and on the figure of Ronwenne in particular. To speak of the English nation and English national identity in the medieval period is controversial. For the majority of scholars today, the nation is a strictly modern phenomenon, rising in concert with the Industrial Revolution and capitalism and dependent on these—the trappings of modernity—for its existence. These scholars argue that competing regional, religious, and familial identities posed a continual challenge to any unified national identity in the Middle Ages. In addition, there has been much recent work that rethinks the practice of studying the whole of medieval Britain rather than examining each region separately.3 Yet [End Page 284] there were discourses in medieval Britain that attempted to imagine the island of Britain as a single political and cultural entity. Responding to the presence of terms and ideas suggestive of the nation in the literature of the past, an increasing number of scholars within medieval studies have questioned the most dominant narrative of the origin of the nation and proposed the existence of medieval national identities.4 In my approach to nationhood and national identity in the later European Middle Ages, I take my cue from Bernard Guenée’s cogent summation: Did national consciousness exist in Europe at the end of the Middle Ages? That is an open question and badly phrased. It would be better to say: what did a European understand by “nation” at the end of the Middle Ages? In which State did the inhabitants see themselves as part of a nation? How intense was this “national” consciousness and what was it like? What vigour and cohesion did the State derive from this “national” sentiment?5 That medieval nations were different from our own modern ones—which themselves vary widely—is clear; but it is equally clear that there was some sense of what it meant to be English in the late medieval period. The modernist bias fails to account for a work like the Middle English prose Brut, with its persistent engagement with questions of cultural and ethnic identity, with nationhood both political and ideological, and, most importantly, with how to create a single, defining history of England that incorporates, nonetheless, its repeated colonization and ethnic...

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Identity Politics and Political Behavior of Kiai in Tasikmalaya City: Case Study of Religious, Kinship and Regional Identity
  • Oct 27, 2023
  • International Journal of Humanities, Law, and Politics
  • Siti Hadiaty Yuningsih + 2 more

This research examines the influence of political identity, especially religious, kinship and regional identity, on the political behavior of kiai in Tasikmalaya City ahead of the General Election. Data was obtained through surveys and interviews with respondents from kiai circles in the area. The research results show that religious identity has the greatest influence on kiai's political behavior, followed by kinship identity, and then regional identity. Simultaneously, these three political identity factors also have a significant influence on kiai's political behavior. This research provides a better understanding of the complexity of identity politics in the context of kiai in Tasikmalaya City.

  • Single Book
  • Cite Count Icon 10
  • 10.4324/9780203470060
Divorce in Medieval England
  • Mar 5, 2013
  • Sara M Butler

Divorce in Medieval England is intended to reorient scholarly perceptions concerning divorce in the medieval period. Divorce, as we think of it today, is usually considered to be a modern invention. This book challenges that viewpoint, documenting the many and varied uses of divorce in the medieval period and highlighting the fact that couples regularly divorced on the grounds of spousal incompatibility. Because the medieval church was determined to uphold the sacrament of marriage whenever possible, divorce in the medieval period was a much more complicated process than it is today. Thus, this book steps readers through the process of divorce, including: grounds for divorce, the fundamentals of the process, the risks involved, financial implications for wives who were legally disabled thanks to the rules of coverture, the custody and support of children, and finally, what happens after a divorce. Readers will gain a much greater appreciation of marriage and women’s position in later medieval England.

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