Abstract

From 1909 until his death in 1924, Peter McArthur became one of Canada’s most popular writers by describing life on his Middlesex County farm in articles for the Toronto Globe and the Farmer’s Advocate of London, Ontario. That he was able to appeal to both rural and urban readers is interesting in two respects: it suggests that the lines between the country and the city were considerably more amorphous than contemporary rhetoric has suggested, and it provides an example of anti-modernist writing that gave as much pleasure to the “folk” as it did to the urban middle-class.

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