Abstract
Frits Staal's massive two-volume book details the backgrounds to, and the performance of, a “Vedic ritual,” the Agnicayana, in Panjal, Kerala, in 1975. In its own terms the book is a success. Staal has set down, or told the reader where to find, every word of the twelve-day Agnicayana; he has described every ritual event; he has included many superb photographs (by Adelaide de Menil); he has collected essays on the various aspects of the Agnicayana, including comparisons with rituals of Tibet, Bali, and Java and discussions of pre-Vedic ritual. The book falls short in considering the multiple and ambivalent aspects of Agnicayana 1975: How much was Agnicayana the creation of the scholars who wanted to discover an intact Vedic ritual? To what degree did the very filming of Agnicayana transform it into a media event? What can be said about scholarship based on hybrid events such as Agnicayana 1975?
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