Wounds That Never Heal: On Anselm Kiefer and the Moral Innocence of the West German Student Movements and the West German New Left

Abstract

The West German student movements, the student generation of Anselm Kiefer, were a part of the West German awakening as to their collective guilt for the atrocities committed in the Second World War – the Germans-as-perpetrators debate. They entered this debate with a proclamation of innocence, which Anselm Kiefer did not share. In this article I use the empirical lens of biography and the artistic performances of moral self-incrimination in order to understand the collective moral dilemmas posited by the West German students’ proclamation of innocence, their position to maintain a moral high ground in their struggle. Kiefer provoked the German Left by recovering the horror of the Holocaust that the Germans in the post-war period (the 1968 students included) mostly wanted just to go away. Movement artist scholars not only challenge the wider society with their truth-claims, they challenge the movement itself, extending the cognitive boundaries for what can be acknowledged at a given moment in the movement’s history.