Abstract

This article questions the assumption that globalisation has fostered cultural dialogue. In order to understand how globalisation has specifically impacted the sphere of the cultural, it starts by examining the way cultural practises are transformed in its wake. Does globalisation yield new, global forms of culture? To address this conundrum, this article takes the example of a cultural movement that has sought to project itself on a global scale, the anti-whaling culture, exploring both its origins and the distinctive cultural forms it has constituted. It then raises anew the question of dialogue: what of the dialogue between this global anti-whaling movement and local cultures where whaling still occurs? And how does such 'global culture' negotiate with demands for cultural diversity?

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