Abstract
This essay is a commentary on Dorinne Kondo’s Worldmaking: Race, Performance, and the Work of Creativity. I consider how Kondo’s definition of worldmaking and reparative creativity can be useful concepts for anthropologists contending with the ongoing debate on anthropology’s colonial roots, postcolonial anxieties, and the abolition of the discipline. D. Soyini Madison and Erin Manning in dialog with Kondo provide a generative space to reflect on worldmaking as an anthropological endeavor, or anthropology as an act of worldmaking.
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