Abstract
We often hear that the ‘end of the world’ is approaching – but whose world, exactly, is expected to end? Over the last several decades, a popular and influential literature has emerged, in International Relations (IR), social sciences, and in popular culture, on subjects such as ‘human extinction’, ‘global catastrophic risks’, and eco-apocalypse. Written by scientists, political scientists, and journalists for wide public audiences,1 this genre diagnoses what it considers the most serious global threats and offers strategies to protect the future of ‘humanity’. This article will critically engage this genre to two ends: first, we aim to show that the present apocalyptic narratives embed a series of problematic assumptions which reveal that they are motivated not by a general concern with futures but rather with the task of securing white futures. Second, we seek to highlight how visions drawn from Black, Indigenous and People of Color (BIPOC) futurisms reimagine more just and vibrant futures.
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