Abstract
This article focuses on the British West Indies beginning with the involvement of African Caribbean soldiers in the Great War. It challenges the enduring myth of the First World War as a predominantly white European conflict. The main part focuses on C. L. R. James, the Trinidadian historian and playwright, following his paradigmatic trajectory from the colony to the ‘mother country’ and his involvement in the protracted transnational process of decolonization after the First Word War. It concentrates on one of his political pamphlets and on his play Toussaint Louverture. The work of the British writer and left-wing political activist Nancy Cunard is also presented as another ‘outsider’ text which can further an ongoing methodological project: the re-integration and cross-fertilization of received knowledge about the war with seemingly outlying knowledge, unorthodox political commitment and challenging aesthetics to produce a richer understanding of this formative period across the Atlantic divide.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.