Abstract
As part of the wider theoretical framework of Zha Changping’s so-called world-picture logic, “world relational aesthetics” constitutes a theoretical system for critiquing pioneering contemporary Chinese art. Against the backdrop of the Western history of aesthetics, this paper attempts a categorization of world relational aesthetics in terms of its methodology and theory, treating it as a continuation in the tradition of theological aesthetics that offers unique insight into China’s pioneering art.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
