Abstract
In her article "World Literature and the Case of Joyce, Rao, and Borges" Bhavya Tiwari discusses the work of James Joyce and poses the question why Joyce is considered an important figure in Latin America and South Asia. Have Indian languages (e.g., Bengali and Hindi) responded differently to Joycean aesthetics? If yes, can there be political reasons behind this difference? Joyce's own position in Europe as a modernist aesthetician complicates his reception in the "periphery," India and Latin America. Hence, Tiwari queries as to what happens when Joyce's texts are received on two different continents. In this context, Tiwari discusses Joyce's Ulysses (1922), Raja Rao's Kanthapura (1938), and Jorge Luis Borges's texts with regard to their linguistic innovations and word play. Tiwari's comparative and contextual analysis is meant to illustrate the relevance of comparative cultural study.
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