Works of Art and Mere Real Things—Again

Abstract

Abstract Citing works by Marcel Duchamp and others, this article argues that the transformation of what Danto termed a mere real thing into an artwork, and of an artwork into a mere real thing, are not symmetrical operations. It argues that mere real things and artworks not only belong to different categories, but that these categories are themselves of different kinds—the former being closed, and the latter open. Viewing mere real things through the lens of art leads to confusion. Amending Goodman’s question, ‘When is art?’, this article suggests that one can only arrive at working definitions of what constitutes both an artwork and a mere real thing on the basis of contingent function. The adequate analysis of any given thing or action necessitates viewing it in accordance with an appropriate paradigm, whether that of an artwork, a thought experiment, or even a prank. Adequate analysis requires disciplinary dexterity, deference when appropriate, and multi-disciplinary attention best achieved through collaboration.