Abstract

In this paper, three women writers offer a personal and critical consideration of the utopian ideal of a place to write – Woolf’s pervasive ‘room of one’s own’ (1977) – as both a physical location and a psychological and cultural ‘space’. In doing so, we draw on José Esteban Muñoz’s writing on (queer) utopia, particularly his observations about hope and disappointment as critical methodologies through which “a backward glance … enacts a future vision” (p. 4). We glance backwards to utopian ideals of a place in which to write and consider how and why such ideal places – solitary, uninterrupted, even beautiful – slip through the writer’s fingers. Again drawing from Muñoz, we consider the tension between hoping for a utopian writing place and disappointment at failing to construct, access, or regularly inhabit them. According to Muñoz, although hope is always eventually disappointed, “disappointment … is not a reason to forsake (hope) as a critical thought process” (p. 10). Crucially, then, while we consider the reasons for writerly disappointment with/in writing utopias, we return to hope as a powerful methodology for imagining utopian writing places – enacting future visions – and as a productive and enabling aspect of the writing process.

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