Abstract
The use of sensitivity readers has become increasingly prevalent in the publishing industry over the past decade (Brouillette 2023; Jilani 2023; Kingsbury 2024; Sharma 2023; Thomalla 2023; West-Knights 2023). To some, sensitivity readers are controversial figures who seek to censor writers’ voices, while for others they are much-needed defences against the perpetuation of discrimination in literature (Lawrence 2020). Given the relatively novel application of sensitivity reading in publishing processes, there remains a scarcity of research into, and understanding of, the practical implications of this editorial process. The following transcript of a discussion between University of Exeter Master of Arts (Publishing) student, D-M Withers, and sensitivity reader and published author Georgina Kamsika reflects on the specificities of this industry role, providing insight into our understanding of sensitivity reading as a unique editorial layer within the publishing chain.
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