Work Culture and Corporate America

Abstract

Essay| December 01 2022 Work Culture and Corporate America: Understanding the Life and Work of Chauncey Hare Brian Arnold Brian Arnold Brian Arnold is a photographer and writer based in Ithaca, New York, who works with the Southeast Asia Program at Cornell University. He has published books with Oxford University Press, Afterhours Books, and the Johnson Museum of Art. Brian’s most recent book, A History of Photography in Indonesia: From the Colonial Era to the Digital Age, was co-published in 2022 by Afterhours Books in Jakarta and Amsterdam University Press. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2022) 49 (4): 3–13. https://doi.org/10.1525/aft.2022.49.4.3 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Brian Arnold; Work Culture and Corporate America: Understanding the Life and Work of Chauncey Hare. Afterimage 1 December 2022; 49 (4): 3–13. doi: https://doi.org/10.1525/aft.2022.49.4.3 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAfterimage Search Every kid in school a political prisonerEvery lawyer in his cubicle a political prisonerEvery doctor brainwashed by AMA a political prisonerEvery housewife a political prisonerEvery teacher lying thru sad teeth a political prisoner—Diane di Prima, from “Revolutionary Letters #63” (1968–71)This book, being about work, is, by its very nature, about violence—to the spirit as well as to the body. It is about ulcers as well as accidents, about shouting matches as well as fistfights, about nervous breakdowns as well as kicking the dog around. It is, above all (or beneath all), about daily humiliations. To survive the day is triumph enough for the walking wounded among the great many of us.—Studs Terkel, Working (1974) I got into the arts, at least in part, in an attempt to avoid institutional control of my life. I was very idealistic, and as a young man was... You do not currently have access to this content.