Abstract
In May 2013, six collaborators and I produced and presented “Work and Play at the Threshold of Visibility.” For my part, the intent of this collaboration was to use the skills of performers and the craft of theatre to explore poorly understood aspects of life within the modern surveillance apparatus. This article describes and critiques that work, placing it in the context of other artistic and theatrical explorations of surveillance, describing its successes and failures, and suggesting avenues for further research.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
