Abstract
This article aims to investigate the trope of “home” and the representation of women’s leaving home experiences in mother-daughter narrative in post-1990s Chinese American fiction. Amy Tan’s The Valley of Amazement (2013), Celeste Ng’s Everything I Never Told You (2014), and Little Fires Everywhere (2017) are selected in the case study to illustrate the new characteristics of women’s leaving home experiences and the changing cultural connotations of “home” in Chinese American fiction in the new era.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
