Abstract
The Kitāb al-anwār attributed to Abū al-Ḥasan al-Bakrī continues to be, after many centuries, a mysterious narrative, and his alleged author even more enigmatic. The work narrates the creation and transmission of the prophetic light following the tropes of popular romance. In this article we will focus on one of its most peculiar features, that is, the detailed and emotional representation of female characters and the woman’s realm. We will argue that female empowerment – a typical feature of folklore literature – could be the result of the storyteller’s will to appeal to female audience that attended the celebrations for the birth of the Prophet in medieval times. To support our argument we will compare different versions of the work, manuscripts and printed, to demonstrate how the literary depiction of women-related themes is more elaborated in the latest versions of the work, produced when mawlid festivals were a well-established practice. Popular Mawlid Narrative, Abū al-Ḥasan al-Bakrī, Storyteller, Women, Mawlid ceremonies, Folklore, Sīra Shaʿbiyya
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