Abstract

As America entered the twentieth century, a number of women contributed to the popular elocution movement through their publication of compilations of recitation, dialogues, tableaux, and other elocutionary genres. An examination of woman-authored elocutionary compilations reveals a nascent feminism: Through their selection of pieces that examine women's changing roles and celebrate women's accomplishments—both within and beyond the domestic sphere—women compilers encouraged novice women speakers to rethink their gendered societal roles.

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