Abstract

Anglophone pulp fiction has been identified by Paula Rabinowitz as an important site for the production of modernity. I argue that Urduphone novels written by and for women likewise grappled with contemporary social issues and provided an important forum for the discussion of changing gender dynamics. Women novelists wrote fiction that engaged with intergenerational anxieties about changing power relations within the household. Debates on women’s freedom were inscribed in what were called ‘social’ novels, even while the women-centric reading experience was propelled by the engines of print capitalism. In this study, I trace the trajectory of mid twentieth century gender debates by conducting a close reading of Urdu novels by A.R. Khatun and Razia Butt. I also argue that, ultimately, reading for pleasure was an important way for women to participate actively in larger social debates about gender, religion and nationhood itself.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.