Abstract
Modern day wall art featuring women as subjects is usually painted by male artists, although women graffiti artists are challenging that male dominance and there are ample examples of their work on social media. The choice of women as subjects dates back to ancient Rome and Greece where idealized female images provided a template for desire, sexuality and goddess status. In modern times, wall artists present women as iconic subjects of power, renewal, and social commentary. Feminine graffiti appears to be idiosyncratic in its subject matter—the product of history, geography, culture and political discourse based on feminine power and influence. Although it is impossible to generalize stylistically about street artists, who are sui generis by their very nature–and wall art defies easy labelling–there are some patterns that are apparent when wandering city streets and encountering women subjects on walls. This photo-essay explores women who feature in wall art in open air galleries in Western Europe, South America and tropical Cuba and seeks to define female archetypes found in these examples. The historical antecedents to modern wall art are presented followed by specific examples of wall art featuring women; succinct interpretations are presented with each example. The journey takes us to Paris, Berlin and Venice, with a stopover in the small fishing town of Huanchaco, Peru, the colourful artistic hill city of Valparaiso, Chile and ends on the worn and tattered streets of tropical Havana, Cuba. In crossing the equator and cultural divide between Western Europe, South America and the Caribbean some surprising trends are suggested in this exploration of women on walls.
Highlights
The Evolution of Women on the WallUrban centres have always provided the street canvasses and personal battlegrounds for graffiti artists to express their hopes, frustrations and rebellion
There are differences in how women are portrayed in tropical regions—the choice of colours, subject matter, and symbolism vary greatly between the temperate Northern Hemisphere and tropical South America and the Caribbean
In crossing the equator and cultural divide between Western Europe, South America and the Caribbean some surprising trends are suggested in this exploration of women on walls
Summary
Urban centres have always provided the street canvasses and personal battlegrounds for graffiti artists to express their hopes, frustrations and rebellion. This art as an ephemeral, perishable practice embodies the spirit of graffiti art which is an integral part of human landscapes Whether it is a mud house in South Africa, or a wall in Valparaiso, Havana, Paris or Berlin, women have been the inspiration for expressing deeper values in street art, often with a symbolic strength that inspires mythical, iconic imagery and references erotic power. The legacy of this tradition can be found in ancient Greek and Roman societies where women were denied education and positions of power; women in these societies were mostly employed in service trades, and as housekeepers or as prostitutes. All photographs are taken by the authors unless otherwise noted
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