Abstract

Abstract This chapter sees both the Leges Iuliae and the Ars Amatoria as creative attempts to redraw the boundaries for different groups of women. Focussing on two named individuals – the historical ‘first lady’ Livia and the mythological Andromache – it demonstrates the ways in which these two women at one time represent polar opposites (the ideal wife and the concubine respectively), and at another appear to occupy a ‘middle ground’ between the two poles. The instability of female categorisation in the Ars is, in turn, a (playful) commentary on the negotiation of gender roles in the Augustan age.

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