Abstract

Composed of the reflections of more than thirty women who have been involved with of the Wall, this volume serves both as a rich introduction to the political and halachic issues at stake in the on-going straggle of these women to pray as a group at the Kotel in Jerusalem, and as a platform for the women to share the spiritual and emotional insights that bring them to the Kotel despite the best efforts of the Israeli rabbinate and government to keep them away. The volume is divided into four sections: Women Who Pray at the Kotel: In Their Own Words, Legal and Political Analysis, Denominational View, and Halakhic Theory and Ritual Objects. Complementing the eclectic essays, a collection of photographs of of the Wall taken at the Kotel are included as well. of the Wall chronicles how a group of women have held onto a vision of peace, equality, and spiritual fulfillment in the face of traditional biases and current violence against women. Adamant about both the holiness of the Wall and their right to pray there, the of the Wall repeatedly choose the path of non-violence and of religious and cultural pluralism. Bonna Haberman in the opening chapter Drama in Jerusalem writes: We had no intention of degrading ourselves by participating in cursing and shoving. Our vision was to share the sacred space, honoring the dignity and beauty of multiple Jewish communities of prayer. This vision echoes clearly throughout the volume. The more personal essays are, to my mind, the most compelling, with the authors eloquently recounting their experiences of exaltation and terror at the Wall. In A Wall That Matters and Others That Don't, Shulamit Magnus recalls the rocky history of her own relationship to the Kotel. Magnus explains why, until she was invited to join of the Wall, she had stopped visiting the gender-segregated Kotel on her trips to Jerusalem. was there [at the Kotel] and a bar mitzvah happened, and I saw the mother of the boy straining from a chair on the women's side, attempting to see and hear what was going on, on tiptoes and with craned neck.... To see degradation at a place of ultimate spiritual connection was too painful a contradiction and perversion. To have to choose between fullness as a Jew and self-respect as a woman, to have to bifurcate that which is whole and interwoven, felt like an act of inner violence. Several of the essays document the overt violence committed against of the Wall, and the Women's complex reactions to it. …

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