Abstract
Previous scholarship on Virginia Woolf’s classicism has acknowledged her debt to Vergil primarily in the context of the Eclogues or Georgics, and her debt to classical epic as a genre rarely and sparsely. Tremper (1992) and Tudeau-Clayton (2006) have both suggested a reading of “The Lighthouse,” the third part of To the Lighthouse, as an example of modernist epic. This paper, conversely, proposes that the novel in its entirety functions as a satirical critique of epic, specifically of Vergil’s Aeneid, with the goal of demonstrating the pitfalls of epic ideology as it impacted English society during the First World War.
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