Women and playwriting in nineteenth-century Britain

Abstract

List of illustrations List of contributors Acknowledgments Introduction Tracy C. Davis and Ellen Donkin Part I. In Judgment: 1. The sociable playwright and representative citizen Tracy C. Davis 2. 'To be public as a genius and private as a woman': the critical framing of nineteenth-century British women playwrights Gay Gibson Cima 3. Mrs Gore gives tit-for-tat Ellen Donkin Part II. Wrighting the Play: 4. Jane Scott the writer/manager Jacky Bratton 5. Illusions of authorship Jane Moody 6. Sara Lane: questions of authorship Jim Davis Part III. Staging the State: Joanna Baillie's 'Constantine Paleologus' Beth H. Freidman-Romell 8. 'The Lady Playwrights' and 'The Wild Tribes of the East': female dramatists in the East End theatres, 1860-80 Heidi J. Holder 9. 'From a female pen': the proper lady as playwright in the West End theatre, 1823-44 Katherine Newey Part IV. Genre Trouble: 10. Genre trouble: Joanna Baillie, Elizabeth Polack - tragic subjects, melodramatic subjects Susan Bennett 11. Sappho in the closet Denise A. Walen 12. Conflicted politics and circumspect comedy: women's comic playwriting in the 1890s Susan Carlson Index.