Abstract

The Guantánamo Bay detention camp is a quintessential structure of the US national security state and contemporary Empire. For such imperial formations to proceed as if they are ‘normal’ requires solidarity from various publics. This paper explores what it means to refuse such solidarity through an ethnographic examination of Witness Against Torture (WAT), a group of US citizens enacting solidarity with the men detained at Guantánamo. WAT’s tactical repertoire intervenes in three ways. The Guantánamo prison is not supposed to be seen, but WAT travels there to expose state secrets and the administration’s myth of transparency. The prisoners are not supposed to be heard, but WAT publicly amplifies their testimonies through affectively potent street performances. Indefinite detention and torture are meant to remain distant, but WAT links the plight of detainees to that of Black communities in the US interior. Through these acts, WAT simultaneously reveals and contests the culture of erasure and radical divisiveness upon which the US national security state depends.

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