Abstract
This book focuses on Stanislaw Ignacy Witkiewicz, philosopher and controversial artist. It expresses the opinions of philosophers, museologists and artists, for whom Stanislaw Ignacy Witkacy’s 130th birthday anniversary became an opportunity to view his works from the perspective of postmodernity. The authors concentrate on Stanislaw Ignacy Witkiewicz as eminent and prophetic philosopher concerned about Western culture with its waning metaphysical feelings, master of gesture and poses, anticipating the postmodern theatricalization of life.
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