Abstract
The Aurignacian has long been interpreted as the culture that corresponded to the arrival of modern humans in Europe and, along with them, all the constituent elements of the Upper Paleolithic. In addition to noting the profound technological changes, we emphasize in particular the systematization and diversification of personal ornaments and the emergence of graphic arts. While not denying the impact of such transformations, and not questioning their close association with the Aurignacian, our objective here is to place them in their archaeological context in order to show that their development was not sudden but in fact more gradual than is usually considered. With respect to the internal chronology of the Aurignacian, we thus depict a more complex image of the Middle to Upper Paleolithic transition, attenuating the impression of an abrupt and radical break that generally surrounds its interpretation.
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