Abstract
The Icelandic sagas reflect a deep social interest in the nature of family obligations. Narrative tension and drama often result from carefully plotted increases competition between families, while considerable space is given over to family biographies and genealogical information. As a result, the saga authors' conception of the historical seems closely bound to a desire to represent family life. In Gísla saga Súrssonar and Íslendinga saga , the representation of family life extends the situation of internal family conflicts, when the strict ethical codes underpinning the centrality of family obligations seem to be complicated and perhaps even threatened by characters' formation of stronger bonds outside the family. The portrayal of internal family conflicts in these two sagas enabled the authors express complex and often conflicting ethical issues.
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