With Regard to the Geometrical Motifs with Antropomorphic Semantics Identified in the Neo-Eneolithic Visual Creation on the Territory of Romania. I. The Point and the Line

Abstract

The prehistoric visual creation, with certain elements of spirituality, is the mark of a complex symbolic behavior, characterised by the use of the same artistic canons in the Upper Paleolithic until the Neolithic, in spaces and various cultural areas, which explains the identity of some decorative motifs, of geometric structure. These plastic elements, genuine symbols with antropomorphic semantics, represent the hidden motive of a sacred geometry through which it was reflected the multivalency of the archetypes and also and the perenniality of the iconographic themes represented in the prehistoric artistic creation.