Abstract
Shakespeare's Macbeth, a Jacobean play, was first performed in front of King James I, whose obsession regarding witchcraft was widely manifested in the early seventeenth century England. This essay is an attempt to explore the manifestation of the witches as projected in Macbeth with an emphasis on equivocation and their connections toMacbeth, the eponymous hero of the play.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: The International Journal of Humanities & Social Studies
Paper Title
Journal
Date
