Abstract

Basic cognitive research can help to explain our response to wine, and the myriad factors that affect it. Wine is a complex, culture-laden, multisensory stimulus, and our perception/experience of its properties is influenced by everything from the packaging in which it is presented through the glassware in which it is served and evaluated. A growing body of experiential wine research now demonstrates that a number of contextual factors, including everything from the colour of the ambient lighting through to background music can exert a profound, and in some cases predictable, influence over the tasting experience. Sonic seasoning - that is, the matching of music or soundscapes with specific wines in order to accentuate or draw attention to certain qualities/attributes in the wine, such as sweetness, length, or body, also represents a rapidly growing area of empirical study. While such multisensory, experiential wine research undoubtedly has a number of practical applications, it also provides insights concerning multisensory perception that are relevant to basic scientists. Furthermore, the findings of the wine research are also often relevant to those marketers interested in understanding how the consumers’ perception of any other food or beverage product can potentially be modified.

Highlights

  • Traditionally and understandably, research in the world of wine has tended to focus on oenology, viticulture, and wine sensory analysis (e.g., Amerine & Roessler, 1976; Goode, 2005, 2016; Peynaud, 1984, 1987; Zoecklein, Fugelsang, Gump, & Nury, 1995)

  • There has perhaps been little of relevance to the readership of a journal such as Cognitive Research: Principles and Implications (CRPI)

  • The results revealed that a crossmodal influence of music on wine perception can be demonstrated in wine experts

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Summary

Introduction

And understandably, research in the world of wine has tended to focus on oenology, viticulture, and wine sensory analysis (e.g., Amerine & Roessler, 1976; Goode, 2005, 2016; Peynaud, 1984, 1987; Zoecklein, Fugelsang, Gump, & Nury, 1995). Interim summary: while Spence et al (2014) favoured a direct crossmodal perceptual account of the influence of lighting colour on their participants’ taste/flavour perceptions it should be noted that an emotional mediation account has been suggested by other researchers working in the area.

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