Abstract
When the Canadian Theatre Centre began to take on a professional orientation in the late 1950’s with the arrival on the scene of Mavor Moore, Jean-Louis Roux and a stageful of other theatre people, it was primarily dedicated to the proposition that theatre people had common problems which deserved to be dealt with communally. Through the Canadian Theatre Centre, information and communication services were set up. Through the CTC again, came membership in that larger communications group, the International Theatre Institute.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
