Abstract

The Earthly Paradise was a favorite topic of medieval theologians, philosophers, poets, and artists. Drawn as much from the biblicalparadisus voluptatis(Gen. 2:8–14) andhortus conclusus(Song of Sol. 4:12) as from Greek and Roman accounts of alocus amoenus, the general outlines of paradise were well established by the patristic period: it is a garden or garden-like natural place, on Earth but set aside by God, perfect in every attribute, wholly uncorrupted, temperate in its climate, gently watered by rivers and fountains, ever fertile in its soil, rich in fruits and beasts of every kind; its inhabitants do not experience exertion, passion, illness, pain, or shame; in short, it is a place free of the consequences of sin. These attributes were frequently applied to both the Garden of Eden enjoyed by the first parents and the Heaven enjoyed by the blessed after death, so “paradise” could be understood in both terrestrial and celestial forms, overlapping spiritually and materially.

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