Abstract
William Mundy composed the votive antiphon Vox patris caelestis during the brief English Counter-Reformation under the reign of Mary Tudor (15538). Unlike the majority of earlier votive antiphons, Vox patris refers to a specific liturgical and theological event, the Assumption of the Virgin Mary. The text is an elaborate network of tropes on the Song of Songs, interwoven with other scriptural and literary topics traditionally linked to the feast of the Assumption, and finds parallels in Conrad of Saxony's Speculum Beatae Mariae Virginis. Vox patris also reflects similar treatments of the Assumption in the Golden Legend, English mystery plays, devotional poems, and contemporary sermons. Archival evidence suggests its precise historical context. The activities of Mundy's own choir at the London church of St Mary at Hill and of other London singers, the musical observance of the Assumption during Queen Mary's reign, and the manuscript sources of Vox patris reveal the likely background for its composition and performance.
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