Abstract

ABSTRACT During the late fifteenth century, the printer and translator William Caxton produced a wide variety of vernacular works on classical subjects. While recent scholars have analysed these works in terms of “vernacular humanism”, this article suggests that “vernacular classicism” is a more inclusive description of the breadth of his output. From Ovidian allegoresis to Virgilian romance, Caxton’s works on classical subjects are drawn from a diverse range of literary traditions, many of which predate humanism and are only tangentially related to humanist influence. Through a bibliographic survey of Caxton’s classical publications, this article shows that Caxton’s engagement with humanism was just one example of his commitment to supplying English readers with the latest fifteenth-century literary fashions. A focus on humanism restricts an appreciation of the diversity and vibrancy of Caxton’s classicism and, indeed, vernacular classicism in the fifteenth century in general.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.