Abstract
ABSTRACT During the late fifteenth century, the printer and translator William Caxton produced a wide variety of vernacular works on classical subjects. While recent scholars have analysed these works in terms of “vernacular humanism”, this article suggests that “vernacular classicism” is a more inclusive description of the breadth of his output. From Ovidian allegoresis to Virgilian romance, Caxton’s works on classical subjects are drawn from a diverse range of literary traditions, many of which predate humanism and are only tangentially related to humanist influence. Through a bibliographic survey of Caxton’s classical publications, this article shows that Caxton’s engagement with humanism was just one example of his commitment to supplying English readers with the latest fifteenth-century literary fashions. A focus on humanism restricts an appreciation of the diversity and vibrancy of Caxton’s classicism and, indeed, vernacular classicism in the fifteenth century in general.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.